And You Thought It Was Safe(?)


Superman II (1980)
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The Man with the Golden Gun (1974)
"When SPECTRE takes over the world, only one of us can make it on the $10 bill, Mr. Bond..."

“When SPECTRE takes over the world, only one of us can make it on the $10 bill, Mr. Bond…”

Eleven James Bond novels and one short story collection reached store shelves before their author, Ian Fleming, shuffled off the mortal coil in 1964. The Man with the Golden Gun was one of those unfortunate books you sometimes see after bestselling authors kick it: a rough, unfinished work with no real meat on its bones rushed to press by hungry publishers who’d just seen their meal ticket pass on. Perfect material for adaption to the silver screen, don’t you think? Hell, they made movies out of anything back in the mid-70s. Why I hear someone gave the director of 1941 money to make a giant shark movie…

For his third Bond screenplay in a row, returning screenwriter Tom Mankiewicz junked most of the novel, as he did before in Live and Let Die. Returning director Guy Hamilton didn’t like what Mankiewicz came up with so he called in his old collaborator, Richard Maibaum, for a second draft. You’d think the issue of such veteran talent could only be good. Instead, these three produced the worst film in the franchise (up to this point). Sure, nothing beats Die Another Day nowadays, but after Live and Let Die the drop off in quality really chapped my ass. Continue reading



Live and Let Die (1973)

First, a salute to Baron Samedi:

Dig my grave some other day.

Dig my grave some other day.

"Why yes, I *have* heard that particular bit of good news. Now, if you'll excuse me, I've got international relations to...improve...yes."

“Why yes, I *have* heard that particular bit of good news. Now, if you’ll excuse me, I’ve got international relations to…improve…yes.”

Great Tracy’s ghost, it’s finally here! The debut of Roger Moore, the Third and Longest-Lasting Bond (so far), who’ll carry the weight of these next seven films for a very long time. I feel like a kid at Christmas because the Moore Era contains some of the series best and worst, irrevocably cementing Bond’s place in modern cinema as a character who’d outlive his actors….for better or worse…

Where Connery feared the role would dominate his career, Moore came to it already “groomed” by eight years as TV’s The Saint. He seemed to embrace that….despite having to cut his hair and loose some weight for this part. He’d packed it on and let it grow out during the disastrous slow-motion train wreck of his TV show The Persuaders! (Yes, the exclamation point’s part of the title – whaddya expect? It was the 70s.) At that point, Moore could’ve helmed ten bad TV shows and people still would’ve flocked to their theaters to see him as James Bond in (a heavily altered facsimile of) Ian Fleming’s Live and Let Die. Continue reading