And You Thought It Was Safe(?)


Justice League: Doom (2012)
Dutch angles!

Dutch angles!

…is the thirteenth straight-to-video DC animated superhero movie and the last one credited to Eisner Award-winning writer/producer Dwayne McDuffie, who passed beyond the Source Wall to join the fundamental forces of the multiverse on February 21, 2011. He will be sorely missed.

Especially since Doom is far from his best work, that being all those episodes of Cartoon Network’s Justice League show that weren’t written by Stan Berkowitz, Rich Fogel, or Bruce Timm. Together, that team did more to introduce superheroes to “normal” people than the last thirty years of comic book company presidents, all while working withing the constrictions of network television censorship regime. Their movies…I don’t know. They’ve been okay…but I’d only recommend four out of the thirteen to you fine people with any degree of seriousness. Doom could’ve been number five, and it almost was…until I made the mistake of thinking about it for more than two seconds at a stretch. Continue reading

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All-Star Superman (2011)
Covershot!

Covershot!

Every once in a not-so-great while, comic book companies decide to annihilate decades of established continuity and set their famous characters back to Year Zero in the name of attracting new readers. Such publicity stunts will inevitably antagonize existing fans whose bad word of mouth will (theoretically) scare away those coveted new readers. So it was that, sometime around 1998, Scottish comics writer Grant Morrison teamed up with other Big Name writers Mark Waid, Mark Millar and Tom Peyer to pitch a complete revamp of Superman.

“We believe that the four of us understand the new face of Superman: a forward-looking, intelligent, enthusiastic hero retooled to address the challenges of the next thousand years.  The ultimate American icon revitalized for the new millennium as an aspirational figure, a role model for 21st Century global humanity.

“The Superman relaunch we’re selling bucks the trend of sweeping aside the work done by those who came immediately before.  Unlike the ‘cosmic reset’ revamps all too prevalent in current comics, our New Superman approach is an honest attempt to synthesize the best of all previous eras.  Our intention is to honor each of Superman’s various interpretations and to use internal story logic as our launching pad for a re-imagined, streamlined 21st century Man of Steel.” Continue reading



Justice League: Crisis on Two Earths (2010)

He's a saa-aad Batman...The day I discovered NOVA’s The Elegant Universe was a grand day at around this old Batcave o’ mine. I rejoiced that physicists had finally figured out what we comic book nerds have known for over fifty years: our world is but one of an infinity of universes, operating on parallel levels of what we so blithely call reality. Bully for you, Science. Welcome to the party.

As with so much else, superheroes had a large part in popularizing what was once the esoteric pipe dream of clever sci-fi authors. The Justice League first met their “evil” dopplegangers, the Crime Syndicate of America, back in 1964. And while those original Silver Age comics have…shall we say…mellowed…in their old age, I still respect the CSA’s original motivation for jumping dimensions: sheer boredom at the ease with which they’d conquered their own world. (with the exception of one Alexander “Lex” Luthor). The Justice League cartoon series updated and expanded up this plot to great effect in its second season two-parter “A Better World.” And while this Justice League cartoon was originally meant to be a transition into the series’ third season, life, and a tight production schedule, intervened. It still works as such, but feels oddly out of place coming so far down stream, after I (for one) thought Warner’s Animation department had run this idea into the ground. {More}