And You Thought It Was Safe(?)


Friday the 13th Part 7: The New Blood (1988)
January 8, 2007, 8:42 am
Filed under: Reviews | Tags: , , , ,

By the time I’d made it all the way to tonight’s piece I was going on 14 and even then Younger Me could sense the hurk and jerk of a movie series tottering on its last legs, begging for a fresh idea to blow through its sagging sails. At the time, Young Me found it odd that this series of films, centered as they are around a homicidal pseudo-zombie, could be so lacking in life.

Older and (I like to think) Wiser Me is nonplussed at this. He (I) no longer finds anything odd in the progressive degeneration of the American horror film – or film in general, for that matter. Older Me (I) possesses enough insight to see these films clearly, both as perpetrators and victims of their own perpetuation. Their downfall and degrading “quality” were as inevitable as a teenage death inside the Crystal Lake Woods, the result of a mass market system geared, not to telling stories, but to making the good people at Gulf Western (who at the time owned Paramount Pictures, and thus Jason Voorhees) richer than they already were. And they’ve no one to blame but themselves. {More}

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Friday the 13th Part VII: The New Blood (1988)

As a symbol, the hockey mask is interesting. Being a homicidal pseudo-zombie, Jason has no need for a mask. It exists because concealing his face allows his creators to purposefully blur the lines his existence straddles: between living and dead, human and inhuman, villain and victim, corpse-maker and corpse...By the time I’d made it all the way to tonight’s piece I was going on 14 and even then Younger Me could sense the hurk and jerk of a movie series tottering on its last legs, begging for a fresh idea to blow through its sagging sails. At the time, Young Me found it odd that this series of films, centered as they are around a homicidal pseudo-zombie, could be so lacking in life.

Older and (I like to think) Wiser Me is nonplussed at this. He (I) no longer finds anything odd in the progressive degeneration of the American horror film – or film in general, for that matter. Older Me (I) possesses enough insight to see these films clearly, both as perpetrators and victims of their own perpetuation. Their downfall and degrading “quality” were as inevitable as a teenage death inside the Crystal Lake Woods, the result of a mass market system geared, not to telling stories, but to making the good people at Gulf Western (who at the time owned Paramount Pictures, and thus Jason Voorhees) richer than they already were. And they’ve no one to blame but themselves. {More}