And You Thought It Was Safe(?)


Superman II (1980)
Advertisements


Superman (1978)


The Man with the Golden Gun (1974)
"When SPECTRE takes over the world, only one of us can make it on the $10 bill, Mr. Bond..."

“When SPECTRE takes over the world, only one of us can make it on the $10 bill, Mr. Bond…”

Eleven James Bond novels and one short story collection reached store shelves before their author, Ian Fleming, shuffled off the mortal coil in 1964. The Man with the Golden Gun was one of those unfortunate books you sometimes see after bestselling authors kick it: a rough, unfinished work with no real meat on its bones rushed to press by hungry publishers who’d just seen their meal ticket pass on. Perfect material for adaption to the silver screen, don’t you think? Hell, they made movies out of anything back in the mid-70s. Why I hear someone gave the director of 1941 money to make a giant shark movie…

For his third Bond screenplay in a row, returning screenwriter Tom Mankiewicz junked most of the novel, as he did before in Live and Let Die. Returning director Guy Hamilton didn’t like what Mankiewicz came up with so he called in his old collaborator, Richard Maibaum, for a second draft. You’d think the issue of such veteran talent could only be good. Instead, these three produced the worst film in the franchise (up to this point). Sure, nothing beats Die Another Day nowadays, but after Live and Let Die the drop off in quality really chapped my ass. Continue reading



Diamonds Are Forever (1971)
"What, me worry?"

“What, me worry?”

Never say never. Connery shouted it from every rooftop he could find during and after the production of You Only Live Twice. When Eon came begging him back he took a page from SPECTRE’s playbook and extorted the largest amount of money anyone had ever received for a lead role up to that time, officially beginning our modern lead actor Salary Arms Race. The number 1.25 million is thrown around a lot in the attendant literature, though I’ve heard conflicting reports as to whether that’s in pounds or dollars.

Either way, it was a healthy chunk of change at a time of worldwide economic upheivals. Connery, to his credit, used that cash to establish The Scottish International Education Trust, which still puts money in the hands of artistic Scots to this very day. He also got United Artists to back his friend Sidney Lumet’s movie The Offense, which everyone should go out and see. It’s unquestionably better than Diamonds Are Forever. Continue reading